After having studied for several years in China (Tianjin) and Hungary, I received my Ph.D. from UC Berkeley with a dissertation on the orthography of Chinese writing during the Warring States period. Following my graduation I started working for the International Dunhuang Project at the British Library and became involved in the study of Dunhuang manuscripts and the manuscript culture of medieval China in general. After 10 years at the British Library, I came to Cambridge in 2012.
I have been President of the European Association for the Study of Chinese Manuscripts and am sub-editor for medieval China for the Encyclopedia of Manuscript Cultures in Asia and Africa compiled at the University of Hamburg.
Dr Galambos teaches undergraduate literary Chinese as well as courses on Chinese history, relating closely to his research work.
Dr Galambos will be on sabbatical leave during the academic year 2020/2021 and thus is not be able to accept new graduate students at the moment.
Medieval China; Dunhuang studies; history of Chinese writing; Chinese manuscripts and epigraphy; contacts between China and Central Asia; Tangut studies; history of the exploration of Central Asia.
My current book project is on the codicology of Dunhuang manuscripts from the 9th-10th century, focussing on the influence of non-Chinese written traditions on Chinese manuscript culture.
I am currently holding weekly research meetings on the topic of Dunhuang studies, where participants discuss their research and benefit from the input of others.
Current PhD students
| Xi Fang: Cultural Impact of the Silk Road on the Lives of Women in Tang Dynasty |
| Ms Jing Feng: The Making of Codices: Codicological Research on Codices from Dunhuang and Turfan |
| Kelsey Granger: Gifts from Afar: The Creation of an Imperial Lapdog in Tang-Song China |
| Mia (Ye) Ma: Title: Court, Monastery and Workshop: Refashioning Water-moon Avalokiteśvara Paintings in late Goryeo Korea and Yuan China. Bio: Mia Ye Ma received her B.A. in Art History from University of St-Andrews and M.A. in Art and Archaeology from SOAS. She is broadly interested in Dunhuang art, 11th-14th century East Asian Buddhist paintings, and the social, cultural and intellectual exchanges among China, Japan and Korea during the Song and Yuan period. |
| Rev Phra Kiattisak Ponampon: Dunhuang Manuscript Pelliot chinois 2078: A Study of Meditative Praxis and Visionary Experiences |
| Mr Daniel Sheridan: Masters of Ceremony: Studies in Chinese Primary Source Descriptions of Sogdian Customs and Ceremonies |
| Junfu Wong: Transethnical and Transcultural Patronage: Ethnic Interaction and Structural Organization in Local Communities of Guanzhong Region Northern Wei China |
| Manjun (June) Zhang: Religions in Medieval China |