Nobody can quite recall what first triggered my interest in Japanese, but since a family holiday to Greece at the age of five, I have always been fascinated by languages that use different writing systems to English. Although at one stage I had thought I would become a maths teacher, I was thrilled to discover that I could study Japanese ab initio at university. I took up my BA in Japanese Studies at the University of Cambridge (Trinity Hall), where my passion for the Japanese language was further piqued by reading works of literature in class. I then completed an MA in Japanese Cultural Studies at Birkbeck College, University of London, before spending three and a half years at Waseda University in Tokyo as a research student in the then Institute for Ryukyuan and Okinawan Studies. I was awarded my Ph.D by the University of Leeds in 2016. My thesis focused on works of literature by three writers: Sakiyama Tami, Yi Yang-ji, and Tawada Yōko. Most often associated with the categories of Okinawan, resident Korean (zainichi), and ‘transborder’ literature respectively, my research traced the multiple and intriguing ways in which these works of fiction reinscribe, transcend, and challenge the margins and borders of Japanese literature.
While carrying out my Ph.D research, I taught classes on modern and contemporary Japanese literature at the University of Leeds and the University of Sheffield. In February 2017, I became a Teaching Fellow at Newcastle University where I also co-taught a course on contemporary Japanese popular culture. I returned to the Faculty in Cambridge in September 2017.
Dr Young teaches papers in modern and contemporary Japanese literature, and Japanese cinema.
Dr Young is pleased to supervise graduate students interested in modern and contemporary Japanese and Okinawan literature, particularly where linked to themes and issues of imperialism, decolonisation, gender and sexuality, multilinguality, and translation.
Modern and contemporary literature in Japan and Okinawa; the writing of ethnic, gendered, and linguistic difference in literature (in both colonial period and contemporary 'transborder' contexts); feminist literary criticism; translation in theory and practice.
My first monograph, Translation and the Borders of Contemporary Japanese Literature: Inciting Difference, was published in 2024. In this book I examined contemporary debates on such concepts as national literature, world literature, and the relationship each of these to translation, from the perspective of modern Japanese fiction. I also offered three close studies of literary essays and works of fiction by Sakiyama Tami, Yi Yang-ji, and Tawada Yōkō that I argue offer individual and alternative ways of reading, practising, and imagining translation. https://www.routledge.com/Translation-and-the-Borders-of-Contemporary-Ja....
I am currently developing a second book project that considers the 'place' of Vietnam within modern Japanese literature. I am particularly interested tracing how writers in Japan and Okinawa responded to and (re-)imagined the Vietnam war, and how an awareness of that conflict informed Japanese literature then and since.
I am also a keen amateur literary translator. My translation of the poem "Backbone" (Senaka) by the Okinawan poet, Tōma Hiroko, is published in: Bhowmik, Davinder L, & Steve Rabson (eds.). 2016. Islands of Protest: Japanese Literature from Okinawa. Honolulu: University of Hawai'i Press.
Current PhD students
| Moe Sasakawa: The Posthuman Subjects in Contemporary Japanese Literature: Nonhuman Animals in the Works of Furukawa Hideo, Oyamada Hiroko, Hosaka Kazushi |
